New York City’s musical heart exposed through the stories of diverse music enthusiasts, showcasing their struggles and triumphs amidst the city’s relentless pace. Combining interviews, live performances, and a montage of NYC’s land- and soundscapes, the film celebrates the unifying power of music - despite all challenges.

A Woman`s Struggle to raising her kids turns to be a murderer.

We spend the day with Darcine Thomas (Kyla Diane Kennedy), divorced and jobless, as she struggles to get back on her feet. She plans to start a new business to help those living on the street, and struggles to find her own new job. Hitting obstacles at every turn, she comes face to face with the L.A. housing crisis.

Mary Kelly: From Stone to Cloud is an intimate portrait of the Conceptual Feminist artist, chronicling her personal history which led her to leave her hometown in Southern Minnesota and travel the world, becoming invested in the Feminist Movement beginning with the March on Washington in 1963. Since then she has focused her work on Feminist issues including the objectification of women, maternity, and wartime atrocities against women and children.

After years of visiting her grandmother's fisherman village in Galicia and hearing bits of stories deemed too traumatic to talk about, Naomi decides to document the oral histories of her elders during a visit to Spain with her 93-year-old grandmother. Through this short documentary, filmed in both Spain and the US, Naomi details the story of a fisherman family who combated fascism during Franco-era Spain, and paid a price.

"I Am Gitxsan" follows Phoenix Apperloo, a recent high school graduate reconnecting with his Indigenous heritage in Hazelton, British Columbia, Canada. Inspired by encounters with residential school survivors, he writes a heartfelt letter to Prime Minister Trudeau about the injustices faced by his people. It culminates with a moving message of hope and determination, emphasizing the power of the Gitxsan people's enduring spirit, the beauties of their culture, and their commitment to future generations.

Thirteen years after a tragic diving accident left Soleine paralyzed from the neck down, Les eaux calmes  (Calmer Waters) documents her brave decision to become the first quadriplegic woman in Quebec to give birth. Through thought-provoking narration and intimate footage shot over the course of a decade, Soleine's desire to embrace motherhood is what ultimately leads to self-forgiveness and her place in this world. But as she approaches 40, Soleine still hasn’t mourned the loss of her legs. Determined to relive her fondest childhood memory, a fishing trip with her family, Soleine is ready to let go of the past and once again dive into water. 

After avoiding speaking at all cost for over two decades, Joze Piranian, who has a severe stutter, decides to confront his fears, by travelling back to his home country, Lebanon, and holding the conversations he never dared to have before with his family. He hopes to finally make peace with his stutter and become the man he’s always wanted himself to be.

TOUFIK, fifty, is a director. He has just learned the day before the filming of his new film that JP, his volunteer cinematographer, will not be able to come to the filming because the latter has just been hired on a paid film shoot. Stunned by this bad news, TOUFIK decides, despite the very little time he has, to find a volunteer cinematographer who has his own camera gear to shoot for ten days.

Saying goodbye to loved ones at the Beirut airport has become an unfortunate tradition in Lebanon, almost a curse. Lebanese emigrants, driven abroad by decades of turmoil, are more than double those still left in their homeland. After civil protests erupt in Lebanon on October 17th 2019, WE NEVER LEFT follows three young Lebanese expats as they take part in the Lebanese revolution from New York fighting for a better country, each protesting in their own way. As they go through their collective journey, they all individually confront both their relationship with their homeland and their own complicated identities. This is the story of the Lebanese people and revolutions both political and personal.